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Anatomical drawings facial muscles

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Comments(4)

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    The workshop starts with a detailed analysis of the skull, covering the structure, planes, proportions, and landmarks. This foundation is used to accurately locate and build the features of the face. Each feature is examined in detail to understand its construction and how cartilage, fat, and muscles influence its form. Reference is drawn from classical portraiture, forensic science, plastic surgery and the latest computer graphics research. Sessions follow on the muscles of expression and how these influence the forms and features of the face. Other lectures include the effects of age and weight on facial features.
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    Head Anatomy

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    Anatomy Reference ideas | anatomy reference, anatomy, anatomy for artists

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    Anatomy - Face

    Facial reconstruction is employed in the context of forensic investigation and for creating three-dimensional portraits of people from the past, from ancient Egyptian mummies and bog bodies to digital animations of J. This paper considers a facial reconstruction method commonly known as the Manchester method associated with the depiction and identification of the deceased from skeletal remains. Issues of artistic licence and scientific rigour, in relation to soft tissue reconstruction, anatomical variation and skeletal assessment, are discussed. The need for artistic interpretation is greatest where only skeletal material is available, particularly for the morphology of the ears and mouth, and with the skin for an ageing adult. The greatest accuracy is possible when information is available from preserved soft tissue, from a portrait, or from a pathological condition or healed injury.
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    This is because the various circular and straplike facial muscles are completely covered by a layer of subcutaneous tissue that usually obscures any evidence of their presence beneath the skin. This means you must approach your understanding of facial anatomy in a holistic way. Knowing approximately where the muscles attach on the cranium is helpful, but it is only one part of the picture. Bone structure, facial planes, facial features, and the overall three-dimensionality of the head and face are likewise important, as are elements such as the shape of the hair, the fleshiness or lack thereof of the face, wrinkles if present , and the attitude, or psychology, that the face projects. Attitude can be conveyed by the way a head is held, the quality of the eyes, a slight hint of emotion playing across the facial features, and other subtle factors.
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